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《鹿儿岛追击叛军纪事》-Tsukioka Yoshitoshi
A Chronicle of the Pursuit of Rebels at Kagoshima--Tsukioka Yoshitoshi (Japanese, 1839-1892)
2.
《拯救国家的女人：大和平纪事》 高清作品[98%]
图片文件尺寸 : 2911 x 1470px
《拯救国家的女人：大和平纪事》-Tsukioka Yoshitoshi
A Woman Saving the Nation; A Chronicle of Great Peace--Tsukioka Yoshitoshi (Japanese, 1839-1892)
3.
阿尔伯特·恩格斯特伦的《走向纪事》 高清作品[98%]
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阿尔伯特·恩格斯特伦的《走向纪事》-Albert Engström
Heading for the Chronicle--Albert Engström (瑞典, 1869 – 1940)
4.
《鹿儿岛分治纪事熊本城堡战役》 高清作品[97%]
图片文件尺寸 : 3077 x 1553px
《鹿儿岛分治纪事熊本城堡战役》-Tsukioka Yoshitoshi
A Chronicle of the Subjugation of Kagoshima; Battle around Kumamoto Castle--Tsukioka Yoshitoshi (Japanese, 1839-1892)
5.
“中世纪服装中的人物（《纽伦堡纪事》中的痕迹”）作者：欧仁·德拉克罗瓦 高清作品[91%]
图片文件尺寸 : 2688 x 1794px
“中世纪服装中的人物（《纽伦堡纪事》中的痕迹”）作者：欧仁·德拉克罗瓦-欧仁·德拉克罗瓦
Figures in Medieval Costume (Tracings from the Nuremberg Chronicle)--欧仁·德拉克罗瓦 (法国, 1798-1863)
6.
纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。 高清作品[86%]
![Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.](http://www.minghuafuzhi.com/2022/12/02143504656.jpg)
图片文件尺寸 : 4242 x 3809px
NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).
FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.
纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。
7.
塞缪尔·沃尔的《马车谋杀案》（可能是《泰本纪事》的设计） 高清作品[66%]
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塞缪尔·沃尔的《马车谋杀案》（可能是《泰本纪事》的设计）-Samuel Wale
马车谋杀案（可能是《泰本纪事》的设计）--Samuel Wale (英国, 1721-1786)
8.
雅岛加库泰（1786？-1868），被归为新赛龙游（1764？-1820） 19世纪江户时代的两幅苏里莫诺-希基希班版画和一幅苏里莫-艾班-横野版画 高清作品[40%]
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YASHIMA GAKUTEI (1786?-1868) AND ATTRIBUTED TO RYURYUKYO SHINSAI (1764?-1820):Two surimono shikishiban prints and a surimono aiban yoko-e print
Edo period (1615-1868), 19th century
The first, Nintoku Tenno, Nihongi (Emperor Nintoku, Chronicle of Japan), from the series Honchoren honcho nijushiko (24 Japanese Paragons of Filial Piety for the Honcho Circle), with a poem by Isonoya Naonari, signed Gakutei; the second, a patterned case and a mirror, with text Horinouchi ren (Horinouchi Club) and a poem by Hitsukatsutei Kusanari, signed Gakutei and sealed Yashima; the third, two beauties in kimono, one standing and one sitting on an engawa veranda with budding willow and prunus trees, with poems by multiple poets, attributed to Ryuryukyo Shinsai (3)
The first, 8 x 7 1/8in (20.3 x 18.1cm); the second, 8 3/8 x 7 3/8in (21.2 x 18.7cm); the third, 8 1/8 x 11in (20.6 x 27.9cm)
雅岛加库泰（1786？-1868），被归为新赛龙游（1764？-1820） 19世纪江户时代的两幅苏里莫诺-希基希班版画和一幅苏里莫-艾班-横野版画
下载雅岛加库泰（1786？-1868），被归为新赛龙游（1764？-1820） 19世纪江户时代的两幅苏里莫诺-希基希班版画和一幅苏里莫-艾班-横野版画大图